For me, freestyle drawing means sharpening the knife of one's own synapses that are linking perception and impulse. I'm interested in images that leave space for the ingredients of observation. I draw by hand with ink on paper to present complex issues in a narrative, associative and comprehensible way.


How does a maximum reduction in resources become narrative representation? Spatial drawings of the city.

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What do pictures that are unfinished yet finished look like, and what ingredients of observation do they need?

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Großes Papier

Drawing the environment is like looking between the folds of matter with an electron microscope.

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Changing perspective and recognising one's own position.

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